Good morning, darlings! I promised you more jewels from the Original Miami Beach Antique show, and I intend to deliver.
But first: last night was the 2016 Oscars, and I was asked to join in with INDESIGN.JEWELRY’s fabulous team to further the discussion of all things #OscarJewelry. Check out my article here, and the whole team’s coverage here.
Now: back to the Original Miami Beach Antique Show jewels! If you follow me on Instagram, you may recognize a couple of these finds…but don’t worry, I saved some really good ones just for this post.
Starting strong with the most wonderful antique English ruby and diamond double heart ring. From Bell and Bird. I can’t really talk about this one because I love it too much.
This is one of the loveliest Georgian foiled-back topaz necklaces I’ve ever seen, anywhere. Look how perfect the condition is, and how lovely the color! The flowers are centered by pearls and set in gold.
One of the coolest fede rings I’ve ever seen! This antique piece from The Spare Room features a carved central turquoise piece flanked by textured gold and other gemstones. So unusual, and in ridiculously good condition.
This magnificent thing from Terry Lucy jewelry is a late Victorian silver-topped gold necklace with rose cut diamonds and 80 carats (!!!) of no-heat Ceylon sapphires.
It is glorious and it has matching earrings. I wore this around the show for a while.

This massive 5-day event draws dealers, buyers, and enthusiasts from all over the world to create one of the most dynamic, treasure-filled antique shows out there – in a location that’s delightful in late January, especially when one has
Thanks to my antique jewelry fairy godmother, the one and only
These antique diamond earrings of my dreams are better known around Instagram as the legendary Olsen twins, property of the incandescent
I was walking the show floor at the Original Miami Beach Antique show (more about that soon) and I saw Jogani’s sign. I headed over, because I’d learned at
Masterfully articulated swags of diamonds, designed with elegantly architectural swoops and lines as well as elegant floral elements and perfect diamond bows. The diamond cuts are all over the place – from rose cuts to at least one table cut, which suggests that they might have been removed from other jewelry or at least collected from a number of sources to create this wonder.
Jogani thinks that this spectacular piece dates to the 1800’s, although they told me that not enough is known about it yet to have an exact date estimate. The diamond swags of the design certainty feel Edwardian, so perhaps that’s a clue that this beautiful thing came to being in the later end of the 19th century, rather than earlier.