One of the coolest things about my jewelry blogging career is the way that it’s expanded my horizons: I can love jewelry now that I wouldn’t previously have understood. This open-mindedness has brought me the opportunity to appreciate brands that I wouldn’t have glanced twice at four years ago.
Unhada jewelry is not one of those brands.
Unhada’s aesthetic connects directly to my inherent sense of beauty: I would have loved these designs when I was 8, 18, or 28 and I’m pretty sure I’ll still love them when I’m 83. I was drawn to these pieces the moment I saw them, and I the more I see, the stronger that feeling is. The lines, the textures, the colors – they’re irresistible to me.

Within seconds of meeting the fabulous Jocelyn Prestia – the lady behind Unhada jewelry‘s loveliness – I immediately understood why her work spoke to me so strongly.
Let’s let Jocelyn introduce herself.
“I come from a creative family and took to writing growing up. I also felt like I suffered from an imagination too large for a human being. I dreamt up islands, worlds, fairy tales, and realized a part of me really believed in them. […]
Fast forward and I start to realize my love of antique jewelry. I began to attend a lot of the antique shows and try to learn how to ultimately open up an antique jewelry shop because I was so inspired by the Doyle sisters on so many levels. However, I realized that there weren’t many people like the Doyle girls (as I call them) who had an educational background to truly understand what they were selling so I decided to study gemology.
I’d always dreamed of being an expat and loved the city of Bangkok so my husband and I decided on a whim to move there so I could study at the GIA. Living in Bangkok opened a door to a magic world where I learned so much by being surrounded by a huge colored gem market.”

This incredible piece is the Renaissance era ring. It dates to the year 1590. And I held it in my hand. Me, holding a ring from 1590. My job is the coolest ever.
The ring features a ruby – deliciously lumpy, as the whole piece is understandably worn by time – in a gold setting.
Traces of the black and white enamel and the underlying design in gold remain, especially in corners of the ring more protected from daily wear, like this corner of the ruby’s setting. (Ignore the red, it’s reflected from my dress.)
Here it is on a lucky hand. Such a bright, joyful photo. And how amazing is the color contrast between the Paraiba tourmalines and pink sapphires? I bet it sparkles in sunshine like nobody’s business.